A Piece of Meat Is Not Sexy

Al-Ahdal, Wajdi (2008). Trans by W.M. Hutchins. A Land Without Jasmine. London: Garnet, 2012.

Many reviewers state this book is sexy.  No. It's not. Jasmine is a young woman, striving to live in a society that represses femininity, where men are either lecherous or clueless, when it comes to what a female wants. Jasmine describes herself as a piece of meat.  That is not sexy.

The plot surrounds the disappearance of Jasmine and the subsequent investigation by police.  Each chapter in the 82-page novella is told from a different point of view.  In addition to Jasmine's first chapter, there are 5 men who comment on her character and each reveals a bit more into the mystery of her disappearance.

Many reviewers have stated this book is a comment on coming of age in Yemeni society, and it is for Jasmine and Ali, whose childhood friendship was abruptly ended when Jasmine's father forces her to wear a veil after he discovers she has played soccer outside with neighborhood kids.  This interpretation seems a bit forced, especially when one considers that the author is a male.  I trust him to represent the male narrators in his book, but I don't trust any male author to authentically portray a woman's own knowledge of herself.  It's problematic.

To restrict the book to a social commentary on the repression of women in Yemen is to miss some larger issues.  The book can be seen as a political commentary on the state of war in Yemen. If one considers Jasmine as the embodiment of the mother country, especially given her interest in Balquis and the ancient culture of moon worship, this book can be read as a commentary on the various political factions, tribes and wars that are ripping up the very fabric of what was once a beautiful country. The men each desire Jasmine to achieve their own personal ends, which may also be argued regarding Yemen's political situation in 2008-the original Arabic publicatin date.

In another way, the book can be read as a social commentary on the purity of Islamic worship.  It seems that Al-Ahdal could be attempting to portray allegorically how human beings, men in particular, have a tendency to use religion (embodied, once again, by the pure Jasmine) to achieve their own ends.  Whenever humankind uses a body, a country, politics or religion to achieve their own ends, the body itself falls apart, perhaps disappearing in its purest form, to never be found again.  Maybe this is what happened to Jasmine.  The book has many possibilities.  Don't limit it hijabs and women's rights.  Women mean so much more.

I typically recommend "coming of age" novels to YA readers.  Not so with this book.  This is definitely for adults.

AWARDS
Winner of the 2013 Said Ghobash Banipal Prize for Arabic Literary Translation

New Collection: Lost in Translation

From Arabic to English: Lost in Translation

In speeches and conversations, American poet Robert Frost has often been quoted as saying, “Poetry is what gets lost in translation. It is also what is lost in interpretation.” A few months ago, the English Department asked me if the library had any books originally written in Arabic that had been translated into English that were written for Young Adults.” I had no idea.  Thus began my quest.  It has been delightful.  I’m proud to announce a new featured collection “From Arabic to English: Lost in Translation,” which examines the difficulty of translating traditional Arabic forms of literature—from Kalila wa Dimna to Hayy ibn Yaqzan—into English.  When I ask them about bits of Holy Koran or Arabic poetry, so many students say, “Miss, it’s just not the same in English.”  However, after studying authors like Ghassan Kanafani, Mourid Barghouti, Hoda Barakat, Tayyib Saleh and Mahmoud Darwish, I feel compelled to share their voices, even in broken English. These are works of profound significance, worthy of translation, no matter if some poetry may be lost, no matter the risk of misinterpretation.  Here is a list of available Arabic titlestranslated to English as well as our New Arrivals.  Please drop by to have a look or go online or to your local libraries to find some of these titles.  They are worth looking into. Reading translated literature imbues the reader with a sensitivity toward the outside world that people who don’t read can sometimes lack (John Connelly, The Book of Lost Things).